Saturday, July 14, 2007
Tuesday, May 29, 2007
touching the hem...
As with other mystical and prayerful images for me, it found its inspiration in - and emanated from - walking the Stations of the Cross each Friday. Traversing that path must, for me, involve the present as much as the past - a divine coexistence between the two. Here is where I am nearly 'slain' by gratitude for the liturgical tradition I am part of: time and space are bound only by lack of imagination.
So, it happened one Friday evening that Jesus walked down the center aisle of St. John's. Images of blood are strong for me, and were present there, but I will not yet go into that - not now, not at this point. I believe that each individual's mystical path is a unique revelation (having tried and tried for years to copy others' practice, I gave up...and found myself waiting for me in God's open hand). So...for me, that night, spiritual gravity pulled not my hand or fingertips, but my forehead all the way to the spot where a holy but dusty garment brushed the blood red carpet.
Again, speaking to/from the liturgical, mystical tradition, all senses are invited to the event. So...my forehead felt the gravitational weight of my prostrate head as a unique and focussed ache. Seemingly, mere fingertips were not enough. Eyes, pregnant with tears, could not bear the light-ness of the moment...and themselves bowed shut.
This was a place that I would continue to go to during Lent, and still do. Each time, the image is a call to drop everything - yes, even my very self. The collapse is reminiscent of a child's toy -- the jointed figure, laced together by string, that loses all tension at the touch of the button under its tiny platform - only to be raised up, refreshed, when it is released.
This is a good place. A place of nourishment...of communion. And through that, an electrical current of pure Love does more than reach out from the past or reflect back from the present: It is both...and more...all at once...as it passes between us.
Saturday, April 28, 2007
hedged in by a wall of cecil bruner roses: a post from 'the other side'
It would be a giant understatement to say I process things differently from him. At the time of our General Convention last June, with some very weighty things going on there (and Fr. C right in the middle of it, being one facet of a cross-section on an important committee), I wrote a spontaneous (note: don't try this at home when you've had a bit too much sake) e-letter to him, posted on our diocesan blog, using our dining room as an imaginary point of Episco/Anglican reconciliation. 'Let the community come to the table.' With a current crisis now threatening, I set out on a different journey.
As I walk through our neighborhood, I'm keenly aware of its grand past, its reconstructing present, and a future of probables and possibles. Formerly one of the finest areas of town, time and the natural propensity of life to eventually level things out caused it to decline. Yet, it has evolved into something perhaps greater than what it was at its inception. Originally mono-chromatic in all respects, it is now mixed in every way possible: economically, racially; types of dwellings, nearly mansions and far-reaching apartments; residents as renters, owners, rich, poor. The hospital I was born in is two blocks away – big, still a respectful part of the surrounding community. Our house is a few feet away from the shadow of the Roman Catholic cathedral – glorious, yet not pompous, a stable, beautifying presence for us. As I walk Lucy each morning, parishioners arrive for the first mass of the diocese. It feels good.
Yet, our neighborhood is not immune from expressions of unhappiness from our city's troubled youth. Along with other ‘unthinkables’ in its illustrious past: graffiti. It isn't rampant in our area; but when such self-expression is carried out, something new is usually the target. Across the street from the cathedral, newcomers to the neighborhood put up a lovely fence of beautiful, natural finished wood. It was quickly tagged. The fence was then painted. Tagged, again. Areas with the offending scrawls were covered with splotchy paint, a painful testimony to an act borne of human alienation. There it sat, seemingly defeated. Yet, over time, a unique countering strategy unfolded. Slowly, in the flower bed bordering the fence, roses were planted. Later, nails and string combined to form a twisted support, graffiti still part of the effect. Climbing roses have now reached the top of the fence, and some are quite full. There will soon be no room for 'new art'.
A few days ago, I detoured from my usual morning walking route to get a closer look at the area: Wow –bountiful bushes of climbing Cecil Bruner roses are about to burst into bloom!! My heart leaped: 50 years ago, when my parents built a house on a humble country road north of here that (ironically - the context of this post) became one of the best streets in this town, our Cecil Bruner bushes were my secret garden. Their miniature beauty, symbol of sweetness, youth and happiness, captured my heart and imagination. Time was spent surrounded by legions of small, delicate, pink buds, which were cut and carefully woven into our braids or 'buns'. Now, my adult heart was bursting with remembrances of wonder and grace, immediately extended back to this moment in time.
Standing there, on that corner, my heart pictured another community gathered – this time, not by a polite dinner invitation extended, but rather by a forced corralling of all in a certain world-wide Communion. Closed in and encircled by a wall of Cecil Bruner roses, past, present and future would work their primal magic, bonding together until hearts are bound by strands of roses in sweet grace.
Through human hands, climbing roses cannot make a hedge or a wall. But in God's hands, they may.
Wednesday, April 18, 2007
postcard from the mystical edge
For doing such a superb job of leading the BCP's festival Eucharist for Easter Day, I want to thank you deeply and sincerely. On one level, you may have only done your duty as a priest; but on another and deeper level, I could tell you led the Holy Eucharist on Easter from the heart, enthusiastically and in a profoundly devout way, no doubt stemming from your individual trust or faith in our risen and living Lord, Messiah Yeshua, our Great Redeemer, Christus Rex, the Incarnate Word. May our sweet Lord continue to bless your holy priesthood, and please tell Brenda her organ music and the choir literally moved me to tears -- I unashamedly wept for joy!
- Grant
(a postcard from an angel truck driver who stopped in on Easter Day. Just think what he would have written if he had come to the Easter Vigil!...though I don't what the postage is for missals from a beatific state...)
Tuesday, April 10, 2007
Fr. John-Julian on The Mystical Christ
Monday, March 26, 2007
An invitation to dinner...
You’re at General Convention. And I’m at home doing what I always do when you’re on a trip – painting a room in our house. This time, there’s a significant new piece of information: You actually know I’m intending to do this, as opposed to coming home and being surprised (your least favorite thing)... though there may still be that factor at the end (Did I mention the dining room will have a passionate, bold appetite, feng shui kind of look, appropriate to a dining room? pls note: our Bishop-with-extremely-artistic-taste would approve). A thoughtful adjunct to this distinctive awareness is that you have a deep sense of the magnitude of what I’m taking on and are concerned for my (mostly mental) well being, so I thank you.
The aged wallpaper is the canvas – no, I’m not brave enough to remove it, so I’m painting over it to incorporate/capitalize on its inherent beauty. I am sincerely, and truly reverently, mourning its passing. A quality cloth, with silk or linen threads, elegant, looking somewhat drab and soiled, worn… but sweetly dignified: just the kind of thing I’ve always valued. So the truth is, it’s giving its life for an artistic higher calling, lending its unmistakable threads to the backdrop of a Benjamin Moore creation, which may or may not be what I’m envisioning.
I can assure you there was much trepidation along the way (way = the past 48 hours), or should I say, I’ve been trying to hang on to sanity while on a roller coaster ride. Loving the wallpaper-with-history; loving the chosen/bought paint, recommended by my favorite Benjamin M young salesman; being crushed by the above mentioned magnitude of the project; finding new strength as I vacuum the beloved cloth and prepare a trial spot: yes, I removed the mirror and have painted a large section with “cinco de mayo” , testing to see if the staples holding together the spots where the wallpaper I’m-sure-will-NOT-come-off-the-wall-without-a-fight has actually pulled away (temptingly) from the wall is distinguishable from the vertical threads of the cloth. Yes. I love the paint. It does conjure up intense gastronomical extravaganzas…(though I remember with relief the Ben Man telling me it will look lighter on a large surface… and perhaps even more so in daylight… and maybe the second coat will be a bit brighter…???)
What started as mostly a way to break the news gently to you about the dining room might, perhaps, in some partial way, be a microcosm of (you at…) General Convention. I’m sure – absolutely certain - I don’t have an adequate or complete or exhaustive sense of the magnitude of what’s going on – who does, despite what we might think. And I certainly don’t mean to trivialize the fact that you, along with the rest of the church, stand at an unprecedented and profound crossroads in the history of Anglicanism (now there’s an understatement). You yourself are truly at the crossroads, standing with those you love all around you…. those who are simpatico with you… those who are to the right… to the left… surrounded by relationships formed in the liturgy of the Word and the liturgy of the Eucharist and even a sort of e-liturgy. No matter if history holds or history is ‘made’…. the old cloth and new paint will join: the new creation yet to show whether it leans towards the red or the yellow.
So…I’m sitting here, in our dining room, drinking too much sake (did you know – it makes all things clear?) and wishing that the whole of Anglicanism would somehow join me at our dining room table… which has seen silk threads AND ‘cinco de mayo’… and have a last – and first – meal together.
As I do with our own children, I pray – and visualize – the generous-beyond-all-comprehension anointing of the oil of the Trinity on the bowed heads of all in attendance, the wisdom of the ages…and the breath of the Holy Spirit…And above all the arms of the Son whose blood wraps all into one…
Love, B